untitled, Diptych
107 x 62 x 4,5 cm 2003
'partiell durchlässig'
live performance work Eru and Seven of Eglise during photon 3 - Photonum
Braunschweig 2008
'schnurlos'
live performance work Eru and Seven of Eglise during open day - kunstwirkstoff
Jerxheim 2008
'tätige Grenzfalle'
live performance work Eru and Seven of Eglise - summer academy dresden
Dresden 2008
21.05.2008 ⊗ 'Largesse'
28.05.2008 ⊗ 'Bacchanal'
04.06.2008 ⊗ 'Sui Generis'
Alvar-Aalto-Kulturhaus
live performance work Eru and Seven of Eglise
Wolfsburg 2008
'kursloser Eintritt'
live performance work Eru and Seven of Eglise during open day - kunstwirkstoff
Jerxheim 2008
'calypso'
installation during open day - kunstwirkstoff
Jerxheim 2008
Reading as Performance
Salim Alafenisch, Der Weihrauchhändler
film, installation, voice
Braunschweig 2007
collaboration Live Performance and Sound work
Eru and Seven of Eglise featuring Akasha Project, 'JB 343 (die Annahme)'
Künstlerpicknik Hannover 2007
Übergang
Installation with doors, objects, collage and drawing
Hannover 2007
painting, oil 50 x 60 cm Jerxheim 2007
Rot-Verfahren
Live Performance Art
day open, kunstwirkstoff Jerxheim 2007
collaboration Live Performance and Sound work
Eru and Seven of Eglise, 'stilla'
day open, kunstwirkstoff Jerxheim 2007
photography: Alexander Rues
toffeln
Performance Art
Jerxheim 2007
planes
Live Performance Art
Lower-East Saxony, Germany 2007
collaboration Live Performance and Sound work,
Eru and Seven of Eglise, 'Fusselnüsse'
NHLspace Gallery, Copenhagen 2007
cherry-hat
Live Performance Art with Peter Vere Simmons
London 2006
the gift
Live Performance Art
London 2006
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untitled Installation Jerxheim 2006
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| collaboration Live Performance and Sound work, Eru and Seven of Eglise (Rues and Glausnitzer), 'JB 338' zmf Berlin 2006 |
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Eru and Seven of Eglise (Rues and Glausnitzer),
'JB 339' (vermeidbare Störversuche)
9. Internationale Dresdner Sommerakademie, Dresden 2006
Action, Music, Exhibition, Performance Workshop with international and regional artists 2006
open day Jerxheim 2006
open day Jerxheim 2006
open day Jerxheim 2006
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| collaboration Live Performance and Sound work, Eru and Seven of Eglise (Rues and Glausnitzer), 'JB 340' open day Jerxheim 2006 |
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Live Performance Art at Künstlerpicknick
Park der Sinne Hannover 2006
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| First collaboration Live Performance and Sound work, Eru and Seven of Eglise (Rues and Glausnitzer), 'JB 337' transit station edinburgh 2006 |
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| A collaboration, Eru and Seven of Eglise explore the idea of simultaneous sound and live work as two different entities. The synthesis is an image beyond the act of producing sound and live action. The sense of time is as illusive as the transparency of the image. Eru”s sound experiments are based on cosmic and molecular tunings. The intention negotiates the possible subconscious links between two performers being unaware of each other”s presence. The presence resides in the viewers eyes and ears. | ||
Live Art Performance
Euroart Festival London 2005
morphing poles (out of the werft)
69 minutes long live art work on ground space of Euroart Festival
"The objects may be familiar or unfamiliar, the body merges with the object. The performer and the witness: Hindu Goddesses are giving birth to objects out of the jumper. What side of the line am I on?" Quotation from notations walking the poles.
The live art work exists on the power of experience and the significance of text and language. Poles of various lengths are being transported to the site. The process starts when the feeling for movement in time becomes the experience between designated places. It becomes a multiplicity of impressions, sound recordings perhaps unconscious moments which are no longer determined.
It is the aim of this work to arrive at the place of euroart studio festival out of a series of journeys (physical and metaphysical) and for the first time to include the presence of sound. The sound is a collection of fragments collected during the walk with poles as well as pre-recorded electronic sound assemblage compiled by Morphon, Berlin Germany. (www.klangwirkstoff.de) The sound collections are being presented with two tape recorders.
The body and the poles become the object and are at the center of this live art performance work - morphing poles (out of werft) is presented in its minimal and spontaneous form with one light and two sound sources.
painting, acrylic 120 x 101 cm Berlin 2005
objects stitched on canvas 150 x 85 cm Berlin 2005
four photographic c-type prints
30 x 40 inches Berlin 2004
| untitled oil on canvas 150 x 200 cm Berlin 2004 |
untitled oil on canvas 150 x 200 cm Berlin 2004 |
| Tarnung 1 70 x 70cm 2003 |
Tarnung 2 (undercover) 70 x 70cm 2003 |
182 x 91 x 8 cm 2003
85 x 107 cm 2003
168 x 40 cm 2003
Sound by Akasha Project
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203 x 209 cm 2002
200 x 150 cm 2001
photographic work 30 x 45 inches 2001
169 x 48 cm 2001
169 x 105 cm 2001
131 x 51 cm 2001
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The work consists 19 c-type photographic prints based on 35 mm colour negatives.
Each image is 30 x 40 inches mounted on 10 mm foam board.
The work is based on the concept of process and time. The image itself in its context exceeds the theoretical intention the viewer is presented with a kind of still life – landscape. The common denominator is nature; though captured within different processes of everyday life, the combination of fresh steak, processed by man for human consumption seen together in a moment of the splash of ocean water at the English coastal landscape becomes a situation of displacement. The potential of associations initiates the imagination.
The link of those moments in their visual presentation is sometimes accessible and sometimes resides within the context of the surreal.
The two possible states of being emerge out of this combination and its simultaneous appearance of the familiar object, both of which belong toan idea of life’s alternative rhythmic nature.
London 2000
Live Performance 2000 Hastings, South Coast of England versus Home, out of a series of 15 photographic prints
