Dagmar I. Glausnitzer | ||||
Curriculum Vitae | Recent Work | Archive :: Projects | ||
Statement | Workshops :: Concepts | |||
References | Contact :: Links | |||
'Umschau' Braunschweig 2012 live performance work Eru and Seven of Eglise photographs by Andreas Nink |
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Hirten Neugier Braunschweig 2012 Group Exhibition photographs by Andreas Nink |
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An Intertransitexchange Performance II London 2012 Live Performance Art Collaboration photographed by Edward Dorrian Saturday 27.10.2012 Five Years -
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'Rèverie' Wolfenbüttel 2012 live performance work Eru and Seven of Eglise photographs by Andreas Nink |
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'Out of Yellow' Braunschweig 2012 live performance work Eru and Seven of Eglise |
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'Brautkleid III' Hamburg 2012 Action with Kirsten Hedel |
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'Mizar Open Clusters' Berlin 2012 live performance work Eru and Seven of Eglise photographs by Bert Olke |
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Living Bridges Braunschweig 2012 |
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Puja at the Oker River
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'Elasticized Probation' |
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woistdiekunst photographs by Andreas Nink |
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Zugschauerschaft II photographs by Niko Jäkel |
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'interrupting the void' photographs by Niko Jäkel |
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installations at open day - kunstwirkstoff |
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'linksrechts linksrechts linksrechts' |
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'OLEX' |
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Spitzwege |
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RaumZeichen |
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Glausnitzer-Retrospective '...carrying my bones to St. Petersburg' |
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Paperworks I |
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Photography (selection) |
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Salztoffeln, Photography (selection) |
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'Wahrnehmung des Unsichtbaren (eine Methode) II' |
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Gedanken zur grauen Malerei
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'partiell durchlässig' |
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'schnurlos' |
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'tätige Grenzfalle' |
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21.05.2008 ⊗ 'Largesse' |
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28.05.2008 ⊗ 'Bacchanal' |
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04.06.2008 ⊗ 'Sui Generis' |
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Alvar-Aalto-Kulturhaus |
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'kursloser Eintritt' |
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'calypso' |
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Reading as Performance |
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collaboration Live Performance and Sound work |
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Übergang |
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leberlein painting, oil 50 x 60 cm Jerxheim 2007 |
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Rot-Verfahren |
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collaboration Live Performance and Sound work |
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photography: Alexander Rues toffeln |
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planes |
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collaboration Live Performance and Sound work, |
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cherry-hat |
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the gift |
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untitled Installation Jerxheim 2006 |
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collaboration Live Performance and Sound work, Eru and Seven of Eglise (Rues and Glausnitzer), 'JB 339' (vermeidbare Störversuche) 9. Internationale Dresdner Sommerakademie, Dresden 2006 |
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Jerxheim-Bahnhof Open Day, kunstverein kunstwirkstoff Action, Music, Exhibition, Performance Workshop with international and regional artists 2006 |
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Installation, (Fuellhorn), 310 x 205 x 300 cm open day Jerxheim 2006 |
untitled object, 54 x 27 cm open day Jerxheim 2006 |
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Live Performance Art, Zugschauerschaft open day Jerxheim 2006 |
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from the depot Live Performance Art at Künstlerpicknick Park der Sinne Hannover 2006 |
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morphing poles (out of the werft) Live Art Performance Euroart Festival London 2005 |
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morphing poles (out of the werft)69 minutes long live art work on ground space of Euroart Festival "The objects may be familiar or unfamiliar, the body merges with the object. The performer and the witness: Hindu Goddesses are giving birth to objects out of the jumper. What side of the line am I on?" Quotation from notations walking the poles. The live art work exists on the power of experience and the significance of text and language. Poles of various lengths are being transported to the site. The process starts when the feeling for movement in time becomes the experience between designated places. It becomes a multiplicity of impressions, sound recordings perhaps unconscious moments which are no longer determined. It is the aim of this work to arrive at the place of euroart studio festival out of a series of journeys (physical and metaphysical) and for the first time to include the presence of sound. The sound is a collection of fragments collected during the walk with poles as well as pre-recorded electronic sound assemblage compiled by Morphon, Berlin Germany. (www.klangwirkstoff.de) The sound collections are being presented with two tape recorders. The body and the poles become the object and are at the center of this live art performance work - morphing poles (out of werft) is presented in its minimal and spontaneous form with one light and two sound sources. |
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untitled painting, acrylic 120 x 101 cm Berlin 2005 |
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untitled objects stitched on canvas 150 x 85 cm Berlin 2005 |
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Involution:situation 1-4 four photographic c-type prints 30 x 40 inches Berlin 2004 |
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untitled, Diptych 107 x 62 x 4,5 cm 2003 |
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untitled 182 x 91 x 8 cm 2003 |
Vernetzt meine Gedanken zu Dir 85 x 107 cm 2003 |
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Between Hoover and Waterways 168 x 40 cm 2003 |
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Overfield, videostills, VHS 8min. 2002 Sound by Akasha Project |
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Strongbond, videostills, VHS 15 min. 2002 | ||||||||||||||
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click on picture to get more info -
link opens a new window |
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the Paris Painting 203 x 209 cm 2002 |
phenomena, dino flagulates 200 x 150 cm 2001 |
...all nature is but art unknown to thee;... photographic work 30 x 45 inches 2001 |
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Monk Visiting Miami first day 169 x 48 cm 2001 |
All parts of a the bigger picture 169 x 105 cm 2001 |
Monk visiting Miami last day 131 x 51 cm 2001 |
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Train, videostills, VHS 3 min. 2001 | ||||||||||||||
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confluence
The work consists 19 c-type photographic prints based on 35 mm colour negatives. The work is based on the concept of process and time. The image itself in its context exceeds the theoretical intention the viewer is presented with a kind of still life – landscape. The common denominator is nature; though captured within different processes of everyday life, the combination of fresh steak, processed by man for human consumption seen together in a moment of the splash of ocean water at the English coastal landscape becomes a situation of displacement. The potential of associations initiates the imagination. The two possible states of being emerge out of this combination and its simultaneous appearance of the familiar object, both of which belong toan idea of life’s alternative rhythmic nature. |
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Live Performance 2000 Hastings, South Coast of England versus Home, out of a series of 15 photographic prints |
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Playing with Sikablock , performance, videostill 2000 | ||||||||||||||
KCIR, videostills, VHS 15,5 min. 2000 | ||||||||||||||
dagmarglausnitzer.de Dagmar Glausnitzer-Smith amaestroproduction@dagmarglausnitzer.de © 2015 |
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